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	<title>Attica Archives - Road Trip Travel</title>
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	<title>Attica Archives - Road Trip Travel</title>
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		<title>Marathon</title>
		<link>https://roadtriptravel.gr/marathonas/</link>
		
		<dc:creator><![CDATA[360dev]]></dc:creator>
		<pubDate>Thu, 21 Mar 2024 10:21:28 +0000</pubDate>
				<category><![CDATA[??????????]]></category>
		<category><![CDATA[Attica]]></category>
		<guid isPermaLink="false">https://roadtriptravel.gr/?p=19814</guid>

					<description><![CDATA[<p>Half-Day Excursion Marathon presents an exceptional natural landscape. It features the unique artificial lake of Attica (Marathon Dam), abundant greenery, fertile plains, and 12 kilometers of sandy beach in the historic bay of Marathon. Nature has endowed Marathon with abundant beauty, and the variety of natural wonders is remarkable, such as the gorge of Oinoi,&#8230;</p>
<p>The post <a href="https://roadtriptravel.gr/marathonas/">Marathon</a> appeared first on <a href="https://roadtriptravel.gr">Road Trip Travel</a>.</p>
]]></description>
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				Half-Day Excursion				</h3>
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									<p>Marathon presents an exceptional natural landscape. It features the unique artificial lake of Attica (Marathon Dam), abundant greenery, fertile plains, and 12 kilometers of sandy beach in the historic bay of Marathon.</p><p>Nature has endowed Marathon with abundant beauty, and the variety of natural wonders is remarkable, such as the gorge of Oinoi, the unique pine forest with stone pines, one of the few in the Mediterranean, and the Schinias wetland (National Park).</p><p>The artificial Marathon Lake was created to collect water for the water supply of Athens. It was formed by the construction of the Marathon Dam at the confluence of the rivers Charadros and Varnavas, a few kilometers from the town of Marathon, Attica.</p><p>The Marathon Lake was the main water reservoir for the water supply of Athens from 1931, when it started supplying water, until 1959. In 1959, a connection from Lake Yliki began operating, and since 1981, most of the water for the capitalâ€™s water supply comes from the artificial Lake Mornos. Today, the entire water supply from Marathon Lake would only be enough for a few days of water supply to Athens.</p><p>Marathon is served by the Attica KTEL, which has its departure point at Pedion Areos (Athens). There are access points from Marathon Avenue and Attiki Odos, from Dionysos Avenue and Penteli Avenue, and from Lake Avenue (via the Athens-Lamia National Road).</p><p>In addition to its natural beauty, Marathon has a rich historical and cultural past.</p><p>The name Marathon, a unique toponym that also refers to an Olympic sport, is known worldwide. Its geographic location and fertile land made Marathon an ideal place for the development of peaceful human activity and highlighted it as a gateway for the reception of culture in Attica from prehistoric times.</p><p>A pivotal moment in its history was the Battle of 490 BC, during which the Athenians, defenders of all Greeks, prevented Eastern despotism and preserved not only Greek but also European civilization.</p>								</div>
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					<h5 class="elementor-heading-title elementor-size-default">Expression of interest</h5>				</div>
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				</div><p>The post <a href="https://roadtriptravel.gr/marathonas/">Marathon</a> appeared first on <a href="https://roadtriptravel.gr">Road Trip Travel</a>.</p>
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		<title>Monastery of Panagia Gorgoepikoos</title>
		<link>https://roadtriptravel.gr/panagia-gorgoepikoos/</link>
		
		<dc:creator><![CDATA[360dev]]></dc:creator>
		<pubDate>Wed, 20 Mar 2024 12:25:22 +0000</pubDate>
				<category><![CDATA[??????????]]></category>
		<category><![CDATA[Attica]]></category>
		<guid isPermaLink="false">https://roadtriptravel.gr/?p=19339</guid>

					<description><![CDATA[<p>Half-day excursions The Holy Monastery of Panagia Gorgoepikoou in Mandra (also known as Gorgoypikoou) is a 20th-century ecclesiastical institution and monastery located in the area of Mandra, Attica. It belongs to the Holy Metropolis of Megara and Salamina. It is a female monastery to which many miracles are attributed by the faithful, all of which&#8230;</p>
<p>The post <a href="https://roadtriptravel.gr/panagia-gorgoepikoos/">Monastery of Panagia Gorgoepikoos</a> appeared first on <a href="https://roadtriptravel.gr">Road Trip Travel</a>.</p>
]]></description>
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				Half-day excursions				</h3>
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									<p>The Holy Monastery of Panagia Gorgoepikoou in Mandra (also known as Gorgoypikoou) is a 20th-century ecclesiastical institution and monastery located in the area of Mandra, Attica. It belongs to the Holy Metropolis of Megara and Salamina. It is a female monastery to which many miracles are attributed by the faithful, all of which are linked to the sacred icon of the Most Holy Theotokos. The monastery is situated on a hill that dominates the area, with a view of the Thriassion Plain and the Eleusis Bay.</p><p>The Holy Monastery of Panagia Gorgoepikoou is dedicated to the worship of the Virgin Mary, as it houses the icon of the Most Holy Theotokos, a replica of the original icon of the Virgin Mary found in the Docheiariou Monastery of Mount Athos.</p><p>The monastery is one of the newer buildings in Attica, as its establishment was decided in 1975 by the will of four monks who wanted to create a place for spiritual exercise and prayer in the region. The monastery is a conventual community for women and belongs to the Holy Metropolis of Megara and Salamina. It is located in the area of the Thriassion Plain and celebrates on September 8th, on the feast of the Nativity of the Virgin Mary.</p><p>The sacred icon of Panagia Gorgoepikoou was painted on Mount Athos before 1900. The image depicts the Virgin Mary holding the Divine Child in her arms, sitting like on a cherubic throne, with a gentle smile, sweet eyes, and a faint smile on her lips. According to sacred tradition, around 1800, a monk from Mount Athos traveled to Asia Minor, where Athonite monasteries had dependencies, to sell painted icons. Among these icons was the one of the Virgin Mary with the title Gorgoepikoou. The icon was bought in the city of Smyrna by a devout family, and over the years, it was passed down to the firstborn. Eventually, it came into the hands of Ifigeneia Anapliotou.</p><p>One day in 1907 â€“ when Ifigeneia was still an infant â€“ the parents were having lunch on the lower floor of their house when a loud noise came from the upper floor, where the crib with the baby was. Anxious, they saw that the icon had moved on its own from the iconostasis and had stood upright on the crib&#8217;s railing while the baby was asleep. They called the priest and held a solemn prayer to the Virgin Mary. This event was celebrated every year on the same day in commemoration of that miracle, on September 8th, with an all-night vigil in their home.</p><p>During the uprooting of the Greeks from the Ionian region, the family brought the miraculous icon to Greece, covered with a white cloth. Initially, the refugees arrived in Mytilene and, after a few years, ended up in Athens. The icon proved to be very miraculous. On September 8th, many years after the familyâ€™s arrival in Greece, a fire broke out in the room where Ifigeneia kept the icon. Many items were completely burned, except for the icon of the Virgin Mary, which remained unharmed amidst the flames.</p>								</div>
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				</div><p>The post <a href="https://roadtriptravel.gr/panagia-gorgoepikoos/">Monastery of Panagia Gorgoepikoos</a> appeared first on <a href="https://roadtriptravel.gr">Road Trip Travel</a>.</p>
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		<title>Archaeological site of Sounion</title>
		<link>https://roadtriptravel.gr/sounio/</link>
		
		<dc:creator><![CDATA[360dev]]></dc:creator>
		<pubDate>Wed, 20 Mar 2024 12:17:08 +0000</pubDate>
				<category><![CDATA[home page]]></category>
		<category><![CDATA[??????????]]></category>
		<category><![CDATA[Attica]]></category>
		<guid isPermaLink="false">https://roadtriptravel.gr/?p=19325</guid>

					<description><![CDATA[<p>Half-day Excursions At the southernmost tip of Attica, where the Attic sky meets the Aegean Sea, stands proudly the Temple of Poseidon, the mythical god of the sea. Perched on the steep cliffs of Cape Sounion, it will whisper to you its myths and history, from ancient times to the present day… Between myth and&#8230;</p>
<p>The post <a href="https://roadtriptravel.gr/sounio/">Archaeological site of Sounion</a> appeared first on <a href="https://roadtriptravel.gr">Road Trip Travel</a>.</p>
]]></description>
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				Half-day Excursions				</h3>
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									<p>At the southernmost tip of Attica, where the Attic sky meets the Aegean Sea, stands proudly the Temple of Poseidon, the mythical god of the sea. Perched on the steep cliffs of Cape Sounion, it will whisper to you its myths and history, from ancient times to the present dayâ€¦ Between myth and history.</p><p>It will tell you about the ship of King Menelaus, which stopped at Sounion on its way back from Troy, about the unfortunate Aegeus who fell into the sea, giving it his name, and about the people who built the temple from local marble to honor the sea god and protect the profits from the nearby mines of Lavrio.</p><p>The Secrets of the Architect The mysterious architect, likely the same one who built the Theseion in the Ancient Agora of Athens, adorned the temple with sculptures made of Parian marble depicting the labors of Theseus, as well as battles with Centaurs and Giants. Those that have survived are housed in the Lavrion Museum, while the impressive kouroi that once dominated the temple&#8217;s courtyard are now kept in the National Archaeological Museum of Athens.</p><p>Observe the Doric columns, count their flutes, and you will discover that they are fewer than those of other temples of the era (mid-5th century BC)â€”a peculiarity also found in other ancient coastal temples, such as the Temple of Aphaia in Aegina, among others.</p><p>What to Do? Combine your visit with a refreshing dip in the small beach located &#8220;in the shadow&#8221; of the Temple of Poseidon or in one of the neighboring beaches, in Legrena or Lavrio! Taste fresh fish and seafood in the tavernas of the area. Enjoy one of the most beautiful sunsets in Attica with your partner, with the ancient temple in the background and a view of the blue sea!</p><p>How to Get There: Sounion is located at the southernmost tip of Attica, at the end of the Athenian Riviera, 69 km from Athens. You can get there by intercity bus (KTEL) from Egypt Square (Victoria Metro station) or by car, driving along the coastal front of Athens and Attica (Glyfada, Vouliagmeni, Varkiza, Lagonissi, Anavyssos, Legrena, etc.), while enjoying the stunning view of the sea and the islands of the Saronic Gulf.</p>								</div>
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				</div><p>The post <a href="https://roadtriptravel.gr/sounio/">Archaeological site of Sounion</a> appeared first on <a href="https://roadtriptravel.gr">Road Trip Travel</a>.</p>
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		<title>The Panathenaic Stadium</title>
		<link>https://roadtriptravel.gr/panathinaiko-stadio/</link>
		
		<dc:creator><![CDATA[360dev]]></dc:creator>
		<pubDate>Wed, 20 Mar 2024 12:10:22 +0000</pubDate>
				<category><![CDATA[??????]]></category>
		<category><![CDATA[??????????]]></category>
		<category><![CDATA[Attica]]></category>
		<guid isPermaLink="false">https://roadtriptravel.gr/?p=19320</guid>

					<description><![CDATA[<p>Half-day excursions The Panathenaic Stadium: A Cultural Symbol of Greece The Panathenaic Stadium is one of the most significant monuments of Athens and all of Greece. Its history is intricately connected with the modern Olympic Games, from their revival in 1896 to the Athens Olympic Games of 2004. The Olympic flame is lit here every&#8230;</p>
<p>The post <a href="https://roadtriptravel.gr/panathinaiko-stadio/">The Panathenaic Stadium</a> appeared first on <a href="https://roadtriptravel.gr">Road Trip Travel</a>.</p>
]]></description>
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				Half-day excursions				</h3>
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									<p><strong>The Panathenaic Stadium: A Cultural Symbol of Greece</strong></p><p>The Panathenaic Stadium is one of the most significant monuments of Athens and all of Greece. Its history is intricately connected with the modern Olympic Games, from their revival in 1896 to the Athens Olympic Games of 2004. The Olympic flame is lit here every time for the Summer and Winter Olympic Games, as well as for the Youth Olympic Games.</p><p>The Hellenic Olympic Committee, the guardian of Olympism in our country, decided to make the Stadium a visitor-friendly site. This allows both Greeks and foreigners the opportunity to tour the space, as well as the possibility of organizing sports activities and educational visits for children and students.</p><p>Visitors have the chance to walk through the Stadium, be guided through its areas, enter the Roman Stoa, run on the competition track, and learn about its history. The tour of the space, lasting between 10 and 20 minutes, is facilitated by a personal audio guide device available in ten languages (Greek, English, French, German, Spanish, Italian, Arabic, Russian, Chinese, and Japanese), along with a complimentary brochure distributed to all visitors. This allows you to learn about the rich history of the Panathenaic Stadium, its construction, restoration, architecture, and location.</p><p><strong>Cultural Significance</strong></p><p>The Panathenaic Stadium remains open daily throughout the year.<br /><strong>Opening Hours:</strong><br />March â€“ October: 08:00 &#8211; 19:00<br />November â€“ February: 08:00 &#8211; 17:00</p><p>The following ticket categories apply for entry:</p><ul><li>General admission: 3 â‚¬</li><li>Reduced admission (for students and those over 65): 1.50 â‚¬</li><li>Free for schoolchildren and their accompanying adults</li></ul><p>At the entrance of the Stadium, there is a traditional cafÃ©. In future plans, the Hellenic Olympic Committee aims to create a Museum and a souvenir shop.</p><p>The goal of the Hellenic Olympic Committee is to establish the Panathenaic Stadium as one of the main tourist attractions in Athens, while also making it a recreational space for the residents of the capital.</p>								</div>
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				</div><p>The post <a href="https://roadtriptravel.gr/panathinaiko-stadio/">The Panathenaic Stadium</a> appeared first on <a href="https://roadtriptravel.gr">Road Trip Travel</a>.</p>
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		<title>Ancient Agora</title>
		<link>https://roadtriptravel.gr/arxaia-agora/</link>
		
		<dc:creator><![CDATA[360dev]]></dc:creator>
		<pubDate>Wed, 20 Mar 2024 12:07:26 +0000</pubDate>
				<category><![CDATA[??????????]]></category>
		<category><![CDATA[Attica]]></category>
		<guid isPermaLink="false">https://roadtriptravel.gr/?p=19315</guid>

					<description><![CDATA[<p>Half-day excursions In the mid-6th century BC, the Athenian Agora was established to the northwest of the Sacred Rock of the Acropolis, between the hills of Areopagus and the Agora Kolonos. For at least the next four centuries, it became the center of the city during the Classical and Hellenistic periods. In this space, the&#8230;</p>
<p>The post <a href="https://roadtriptravel.gr/arxaia-agora/">Ancient Agora</a> appeared first on <a href="https://roadtriptravel.gr">Road Trip Travel</a>.</p>
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									<p>In the mid-6th century BC, the Athenian Agora was established to the northwest of the Sacred Rock of the Acropolis, between the hills of Areopagus and the Agora Kolonos. For at least the next four centuries, it became the center of the city during the Classical and Hellenistic periods. In this space, the most significant public buildings and temples of the city were constructed, and intense administrative, political, judicial, commercial, social, cultural, and religious activity took place. The sequence of buildings in the Agora over time reflects the evolving path of the democratic system throughout the five centuries of the city&#8217;s existence as a city-state.</p><p>The earliest traces of human habitation in the broader area of the Agora date back to the Late Neolithic period (around 3000 BC) and consist of fragments of handmade pottery found in wells and pits. During the next two periods, the Late Helladic or Mycenaean (1550-1100 BC) and the Iron Age (1100-700 BC), the area served as a cemetery, with vaulted and chamber tombs in the first and cremations and burials in the second. At the same time, a small geometric settlement developed.</p><p>In the 6th century BC, the state undertook extensive modifications to transform this area from private to public, to house the Agora of the city. The first public buildings, the Southeastern Fountain and the Altar of the 12 Gods, were built around 520 BC, during the tyranny of the Peisistratids. After the change of government back to a democratic form in 508/7 BC, intense construction activity began in the Agora. The first buildings constructed were the Old Bouleuterion for the new council and the Royal Stoa, the seat of the Archon Basileus. Two stone boundary markers were also placed at its southwest corner to signify the sacred space.</p><p>The plundering of the Agora by Persian forces in 480/479 BC left many of its buildings in ruins. From the second quarter of the 5th century BC, intense rebuilding took place, continuing into the 4th century BC, directly related to the peak of Democracy. Among the new constructions were the Stoa of Attalus, the Tholos, the New Bouleuterion, the Stoa of Zeus Eleutherios, the N. Stoa I, the Mint, the Courts, the Temple of Hephaestus, the Temple of Apollo Patroos, and the Southwestern Fountain.</p><p>The political decline of Athens, brought about by the rise of Alexander the Great in the Kingdom of Macedonia, was followed by a cultural renaissance in the 2nd century BC. The Agora of Athens was transformed during this time with the construction of three major Stoic buildings: the Middle Stoa, the Southern Stoa II, and the Stoa of Attalus, a gift from King Attalus II of Pergamon in the birthplace of philosophy.</p><p>A great blow to the buildings of the Agora came from their looting by the army of Sulla in 86 BC, as punishment for the Athenians supporting King Mithridates of Pontus over the Romans. Despite the destruction, the city experienced a new peak during the reigns of Emperor Octavian Augustus (27 BC-14 AD) and Hadrian (117-138 AD). In the central square of the Agora, the Odeon was built to host musical events, and the South-Western and South-Eastern Temples were constructed for the worship of the imperial family. The Temple of Mars, moved from Pallene, was also transferred to the Agora.</p><p>In 267 AD, the invasion of the Herulians destroyed the buildings of the Agora to their foundations. During the next phase of the city&#8217;s reconstruction, the area was situated outside the new fortification wall, and luxurious urban villas from the 5th and 6th centuries AD were developed. It was here that Neoplatonism flourished for the last time. Successive attacks by barbarian tribes from the end of the 4th to the late 6th century AD, culminating in the Slavic invasion, again destroyed the buildings of the Agora, leading to the final decline of the area.</p><p>The buildings of the Ancient Agora of Athens were developed along the four sides of a square space enclosed by three hills: the Acropolis, the Areopagus, and the Agora Kolonos. The space is crossed from the northwest to the southeast by the Panathenaic Way, one of the main roads of the ancient city, measuring 12-20 meters wide. Every four years, the famous procession of the Great Panathenaic festival followed this road.</p><p>Near the northwest corner stands the Altar of the 12 Gods (522/1 BC), a sanctuary for suppliants and the starting point for the city&#8217;s road measurements. Along the western side of the Agora square, the most significant administrative buildings and sanctuaries of Athens gradually developed, such as the circular Tholos (470 BC), the seat of the prytaneis of the Council of 500, the New Bouleuterion (late 5th century BC), an amphitheater-like space for preparing bills before they were presented for a vote in the Assembly, the Register (2nd century BC), a four-room building with a colonnade on its facade for housing the sanctuary of the Mother of the Gods and the city&#8217;s archive, and the Monument of the Eponymous Heroes (350 BC), a long pedestal surrounded by a fence, on which stood the bronze statues of the mythical heroes of the ten Athenian tribes.</p><p>On the western side of the Agora, one can also find: the Temple of Apollo Patroos (325 BC), the founder of the Ionian tribe, with four Ionic columns at its facade; the single-chamber temple of Zeus Phratrius and Athena Phratia (350 BC), dedicated to the patron deities of the religious fraternities of the Ionians; the Stoa of Zeus Eleutherios, the liberator god who helped the Greeks expel the Persians in the Battle of Plataea (479 BC); and the Royal Stoa (500 BC), the seat of the archon basileus, responsible for religious matters and laws.</p><p>At the top of the Areopagus hill stands the Temple of Hephaestus (mid-5th century BC), known as the &#8220;Theseion.&#8221; At the southwest corner of the Agora square, around 500 BC, a marble boundary marker with the inscription &#8220;I am the boundary of the Agora&#8221; was placed next to the shoemaker Simonâ€™s workshop, known from ancient writers as the place where Socrates met with his students. To the southwest, extending to the Pnyx, there is a valley where excavations uncovered the remains of ancient houses, shops, and workshops (&#8220;Industrial Area&#8221;). Here, the so-called Poros Building was uncovered, which was identified as the public prison of the 5th century BC, where Socrates was imprisoned and executed.</p><p>On the southern side of the Agora, public buildings such as the Southwestern Fountain (340-325 BC), the Aiacion from the early 5th century BC (previously identified with the Heliastic Court), the Southern Stoa I (430-420 BC), and its later extension, the Southern Stoa II (2nd century BC), the Southeast Fountain (530-520 BC), and the Mint (400 BC) were built. The Church of the Holy Apostles, dating from the early 10th century AD, belongs to the Byzantine settlement that developed in the area. In the middle of the open space of the Agora, the Middle Stoa was built in the 2nd century BC, likely intended for trade; in 15 BC, the Odeon, a gift from Agrippa to the citizens of Athens with a large concert hall and a facade decorated with colossal statues of Tritons and Giants, was erected; and the Temple of Ares, a Doric peripteral temple from the 5th century BC, was moved to the Agora from Pallene during the Roman period.</p><p>On the eastern side of the Agora stands the Stoa of Attalus (159-138 BC), restored to its original form to house the museum of the Ancient Agora, while the Northern side features the Painted Stoa (475-450 BC), decorated with painted panels.</p><p>On the Areopagus hill, a place linked to mythical and historical trials, excavations revealed four luxurious late antiquity residences (&#8220;philosophical schools&#8221;) on the northern slope, and on the southern foothills (&#8220;Doerpfeld excavations&#8221;), a neighborhood of the ancient deme of Kollytos with temples and houses.</p><p>Here is the translation of the text into English:</p><hr /><p><strong>Monuments of the Site:</strong></p><ol><li><strong>The Temple of Hephaestus</strong></li></ol><p>At the top of the hill of the Agora Kolonos, which marks the western boundary of the Ancient Agora of Athens, stands the Temple of Hephaestus, more widely known as the &#8220;Theseion.&#8221; It is one of the best-preserved ancient temples, partly due to its conversion into a Christian church. According to the traveler Pausanias (I, 14, 5-6), the temple was dedicated to Hephaestus, the protector of blacksmiths, and Athena Ergani, the protector of potters and craftspeople. The identification of the temple as &#8220;Hephaesteion&#8221; was confirmed by archaeological research with the discovery of metallurgical workshops in the broader area of the hill, thus overshadowing earlier views that identified the deities worshipped here as Theseus, Heracles, or Ares. The construction of the temple is thought to have taken place between 460-420 BC by an unknown architect, who is also credited with other temples in Attica with similar design.</p><p>The temple had a pronaos and an opisthodomos, both with two columns in antis. It was surrounded externally by a peristyle, a Doric colonnade with 6 columns on the short sides and 13 on the long sides. The entire structure, from the foundation to the roof, was made of Pentelic marble, while the architectural sculptures adorning it were made of Parian marble. Inside the cella, there was a double-columned structure in the shape of the letter &#8220;Î ,&#8221; and at the back, a pedestal stood on which were bronze statues of Hephaestus and Athena, sculpted by Alcamenes, according to Pausanias, between 421-415 BC. The temple had a rich sculptural decoration. The metopes, which adorned the eastern side of the peristyle, depicting the twelve labors of Heracles, are particularly interesting. Continuing along the northern and southern sides, four labors of Theseus were depicted, which led to the popular name &#8220;Theseion&#8221; for the temple. The frieze did not run along all four sides of the cella, but only along the pronaos and the opisthodomos. On the pronaos, the victorious battle of Theseus against the 50 sons of Pallas, the contenders for the throne, was depicted, with six Olympian gods witnessing the scene. On the opisthodomos, the Centauromachy was depicted. The temple&#8217;s pediments also featured noteworthy sculptures. The western one depicted the Centauromachy, while the eastern one showed the reception of Heracles on Olympus or the birth of Athena. Some of these sculptures were found in fragments, such as the group of two female figures, one carrying the other on her shoulder as if trying to save her (&#8220;Supporting,&#8221; Museum of the Ancient Agora, inv. no. S 429), and the torso of a draped female figure with a pronounced sense of movement, possibly one of the templeâ€™s acroteria (&#8220;Nereid,&#8221; Museum of the Ancient Agora, inv. no. S 182).</p><p>During the Hellenistic period, shrubs or small trees were planted around the temple in parallel rows in pots, which were uncovered during excavations. In the 7th century AD, the temple was converted into a church dedicated to Saint George Akamas and functioned as such until the liberation of Greece from the Ottomans. During the 18th century, many prominent Protestants who died in Athens were buried within the building. In 1834, a ceremony welcoming King Otto was held here. Since then, the temple has functioned as an archaeological museum until the beginning of the American School&#8217;s excavations in the Ancient Agora in 1930.</p><ol start="2"><li><strong>The Tholos</strong></li></ol><p>One of the most important public buildings in the Agora was the Tholos, a circular structure with six interior columns and a propylaeum added in the 1st century BC. It was the seat of the fifty prytaneis, the members of the executive body, representing one of the ten tribes created by the political reforms of Cleisthenes in 508/7 BC.</p><p>The prytaneis held office for a period of 35 or 36 days, after which they were replaced by an equal number of prytaneis from another tribe, so that by the end of the year, each tribe had been in power. The tribe in power was called the &#8220;prytaneuontes,&#8221; and its president, chosen by lot daily, was the &#8220;Epistates of the Prytaneis.&#8221;</p><p>During their term, the prytaneis were provided with meals in the Tholos, and one-third of them, or seventeen, stayed overnight in the building to handle emergency matters. The official weights and measures of the Athenian state were also stored in the Tholos. The Tholos was built on top of an earlier structure dating from the mid-6th century BC with a similar function and was abandoned around 400 AD.</p><ol start="3"><li><strong>The Bouleuterion</strong></li></ol><p>The New Bouleuterion was a rectangular building with a colonnade at the front. Its partial preservation, limited to the foundations, makes it difficult to reconstruct the layout of the seating in the interior. It served as the meeting place of the Council of the Five Hundred.</p><p>This council was made up of fifty annually elected citizens, the prytaneis, from each of the ten Athenian tribes, into which Cleisthenes divided the citizens in 508/7 BC. The Council of the Five Hundred, as a preparatory body, prepared bills that were later submitted for voting in the Assembly.</p><p>For a period, the New Bouleuterion functioned alongside the Old Bouleuterion, a neighboring building to the east, where the councilors initially met. The lack of available space in the Old Bouleuterion led to the construction of the New Bouleuterion for the council&#8217;s meetings, while the first was likely used as a sanctuary and for storing state archives.</p><p>In the second half of the 4th century BC, the entrance to the New Bouleuterion was provided with a monumental propylaeum in Ionic style, built immediately south of the Old Bouleuterion.</p>								</div>
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		<title>Erechtheion</title>
		<link>https://roadtriptravel.gr/erextheio/</link>
		
		<dc:creator><![CDATA[360dev]]></dc:creator>
		<pubDate>Wed, 20 Mar 2024 11:58:37 +0000</pubDate>
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					<description><![CDATA[<p>Half-day excursions The Erechtheion: A Temple of Unique Architecture and Mythological Significance The Erechtheion is a refined structure with a distinct character and architectural form, located on the northern side of the Acropolis hill. It was constructed between 421 and 406 BCE, replacing an earlier temple dedicated to Athena Polias, known as the &#8220;Old Temple,&#8221;&#8230;</p>
<p>The post <a href="https://roadtriptravel.gr/erextheio/">Erechtheion</a> appeared first on <a href="https://roadtriptravel.gr">Road Trip Travel</a>.</p>
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									<p><strong>The Erechtheion: A Temple of Unique Architecture and Mythological Significance</strong></p><p>The Erechtheion is a refined structure with a distinct character and architectural form, located on the northern side of the Acropolis hill. It was constructed between 421 and 406 BCE, replacing an earlier temple dedicated to Athena Polias, known as the &#8220;Old Temple,&#8221; which stood slightly to the south.</p><p>The temple is referred to as the &#8220;Erechtheion&#8221; only by Pausanias (1.26.5), and its name is associated with the mythical king of Athens, Erechtheus, who was originally worshipped in this location. Other sources simply refer to it as the &#8220;temple&#8221; or &#8220;ancient temple.&#8221; Its unusual form is due, in part, to the unevenness of the terrain, with the eastern part being three meters higher than the western part. Additionally, the temple needed to accommodate two major cults in different spaces.</p><p>The first was dedicated to Athena Polias and occupied the eastern section of the building. In the western section, which was on a lower level, the cult of Poseidon-Erechtheus was practiced, and altars to Hephaestus and Butes, brother of Erechtheus, were located here. According to myth, this was also where the sacred serpent of Athena, the &#8220;oikurous ophis,&#8221; resided. Several sacred locations, such as the tomb of Cecrops and traces related to the dispute between Athena and Poseidon over the guardianship of the city, had to be protected by the temple.</p><p>The Erechtheion was constructed from Pentelic marble, with the frieze made of gray Eleusinian stone and the foundation built with Piraeus limestone. The eastern faÃ§ade of the temple features a six-columned Ionic portico, which served as the entrance, with two windows on either side. Inside, the statue of Athena, made from olive wood and clothed with a peplos by the Arrephoroi during the Panathenaic festival, was kept. In the western part, a P-shaped propylaeum led into the temple, with four Ionic columns on the front and one on each side. According to tradition, the floor of the propylaeum contained the marks of the trident with which Poseidon struck the earth, causing the salty spring to flow.</p><p>The temple&#8217;s floor was made of marble, and beneath it, according to tradition, was the &#8220;Erechtheian sea,&#8221; where the waters of Poseidon&#8217;s salty spring ended. A small door on the western wall of the temple led to the sanctuary of Pandrosos, located to the west of the Erechtheion. The western side externally had four Ionic columns on a tall stylobate, connected by a low wall and railings. A door on the southern wall led via a staircase to the Porch of the Caryatids. This small portico, shaped like a &#8220;P,&#8221; had six statues of young women, or &#8220;caryatids,&#8221; who supported the roof with their heads.</p><p>The term &#8220;Caryatids&#8221; was later applied because the figures were associated with the maidens from the town of Caryae in Laconia, who danced in honor of the goddess Artemis. The Caryatids were sculpted by the artist Alkamenes or, according to some, by Callimachus. Five of the Caryatids are now in the Acropolis Museum, while the sixth is in the British Museum. Replicas made of cast material have been placed in their original locations. The entire temple was decorated with a frieze, which likely depicted scenes related to the mythical kings of Athens.</p><p>In the 1st century BCE, the monument was burned during barbarian invasions and underwent minor repairs and modifications. During the early Christian period, it was transformed into a church dedicated to the Mother of God. During the Frankish period (1204â€“1456), it was used as a palace, and during the Ottoman period (1456â€“1833), it housed the harem of the Turkish governor. In the early 19th century, one of the Caryatids and a column were removed during the looting of the Parthenon marbles by Lord Elgin. Shortly afterward, in 1827, during the Greek War of Independence, the building was destroyed by a Turkish shell.</p><p>Efforts to restore the monument began immediately after Greeceâ€™s liberation. The Erechtheion was the first of the Acropolis monuments to undergo complete restoration, which was completed between 1979 and 1987 as part of the restoration work on the Acropolis. This restoration won the Europa Nostra Award.</p>								</div>
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		<title>Monastery of the Dormition of the Virgin Mary, Penteli</title>
		<link>https://roadtriptravel.gr/moni-theotokou/</link>
		
		<dc:creator><![CDATA[360dev]]></dc:creator>
		<pubDate>Wed, 20 Mar 2024 11:56:35 +0000</pubDate>
				<category><![CDATA[??????????]]></category>
		<category><![CDATA[Attica]]></category>
		<guid isPermaLink="false">https://roadtriptravel.gr/?p=19305</guid>

					<description><![CDATA[<p>Half-day Excursions The Holy Monastery of the Dormition of the Theotokos Penteli, also known as the Monastery of Penteli, is a historic male monastery located on the southern side of Mount Penteli in Athens. It currently belongs to the Archdiocese of Athens. The Monastery was built in 1578 by Saint Timothy, the Bishop of Euripus,&#8230;</p>
<p>The post <a href="https://roadtriptravel.gr/moni-theotokou/">Monastery of the Dormition of the Virgin Mary, Penteli</a> appeared first on <a href="https://roadtriptravel.gr">Road Trip Travel</a>.</p>
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									<p>The Holy Monastery of the Dormition of the Theotokos Penteli, also known as the Monastery of Penteli, is a historic male monastery located on the southern side of Mount Penteli in Athens. It currently belongs to the Archdiocese of Athens.</p><p>The Monastery was built in 1578 by Saint Timothy, the Bishop of Euripus, who was originally from Attica and had fled his diocese due to persecution by the Turks. When Saint Timothy sought refuge on Mount Penteli, he found that the mountain was inhabited by persecuted, literate, ascetic clerics, living in areas where water was available (and there was plenty of water in many parts), allowing them to cultivate small gardens. After persuading them to build a monastery, they began to search for a location at the foot of the mountain. They soon discovered the bones of a deceased hermit, along with a small icon of the Virgin Mary, and decided to build the monastery there. According to another tradition, the monastery was built over the ruins of the ancient municipality of Penteli from the Antiochian tribe (one of the ten tribes of Ancient Athens) and a sanctuary dedicated to the goddess Athena. During the relatively short time that Saint Timothy served as abbot, part of the Katholikon (the main church), the southern side of the monastery, and the fortified tower at the main gate were built.</p><p>After 1580, following the departure of Saint Timothy, scandals and disputes arose among the monks, leading to the intervention of the Metropolitan and the local council of Athens. Following this, the deacon Hierotheos Degleris became the abbot, later donating his own property to the monastery. His attempt to bring order to the monastery was met with opposition from the &#8220;Penteliot Brotherhood,&#8221; who considered him an outsider. During his tenure, he managed to obtain a sigillium (patriarchal document) from Patriarch Jeremiah II, declaring the monastery as an independent stavropegic (directly subject to the Patriarchate, not the local bishop), free from the intervention of the local ecclesiastical leadership. This remained the case until the end of the Turkish occupation in 1833, except for a brief period between 1702 and 1713, when the monastery lost its stavropegic status.</p><p>In his efforts to consolidate power within the monastery, Hierotheos made the abbacy hereditary, a unique move that was accepted, although the monastery was never considered the private property of the Degleris family, despite the hereditary system lasting for approximately 300 years, until 1884. The successor, the nephew of the abbot, began his education at the monastery from the age of 10 to 12, ensuring he was familiar and accepted by the community of monks.</p><p>Hierotheos increased the monastery&#8217;s wealth by purchasing the Vourvas estate in Marathon, and his successor, Abbot Arsenius I Degleris, planted hundreds of olive trees in the Akamatika region of Gerakas. The monastery&#8217;s power grew, along with its expansionist tendencies, which became a threat to the neighboring smaller Monastery of Saint Nicholas of Kalission (or Kalission), which succeeded in merging with the powerful Monastery of Pantokratoros, known as &#8220;Daou Pentelis,&#8221; through a sigillium issued by the Ecumenical Patriarchate in February 1602.</p><p>By 1650, the basic structure of the monastery was completed, with the Katholikon acquiring a narthex and frescoes.</p><p>After 1660, the abbey secured tax exemptions from the mother of the Sultan, Turhan Hatice Sultan, in exchange for sending 3,000 okas of honey annually to the Yeni Mosque in Constantinople, which would be distributed to the poor during Ramadan. The honey shipment was later increased to 4,000 okas when the Monastery of Pantokratoros was annexed to Penteli. The monastery also sent a symbolic 25 okas of honey annually to the Ecumenical Patriarchate. In 1678, during the patriarchate of Dionysius IV, the hereditary right to the abbacy by the Degleris family was formally confirmed with a patriarchal sigillium and remained in place until 1884. The last abbot from the family was Joseph Hountas (1881-1884).</p><p>In 1680, on Easter Day, the Monastery of Pantokratoros was raided, possibly by Algerian pirates, resulting in the death of almost all of its monks (179 monks were lost). Following this disaster, the Monasteries of Pantokratoros and Saint Nicholas of Kalission were merged into the Monastery of Penteli, along with all their property. By the end of the 17th century, the monastery reached its peak, owning most of Penteli, becoming the largest non-Muslim landowner in Attica, securing ecclesiastical independence from the Patriarchate, and obtaining additional tax exemptions from the Ottoman authorities.</p><p>In the early 18th century, during the patriarchate of Gabriel III (1702â€“1707), the stavropegic privilege was abolished, and the monastery was placed under the jurisdiction of the Metropolis of Athens, a measure aimed at increasing the resources of the Athens metropolis, which had suffered under Venetian occupation. However, due to the favorable relationship the monastery had with Constantinople, it was able to regain its stavropegic status through a sigillium from Patriarch Cyril IV (1711â€“1713). During this period, the monastery acquired the Church of Saint Irene in Athens, which, however, was not included in the stavropegic privilege from 1716, as per a sigillium issued by Patriarch Jeremiah III.</p><p>In 1750, Abbot Hierotheos II Degleris used his influence with the Ottomans to grant permission for a school initiative supported by the brothers Michael and Ioannis Dekas, along with the hieromonk Vissarion Roufos.</p><p>Throughout the 18th century, the monastery&#8217;s landholdings continued to grow through new purchases and donations. In 1768, Abbot Nikiforos renovated and expanded the monastery. During this period, the narthex was likely added to the Katholikon. Under Abbot Nikiforos, land was purchased in Megalo Vraona and Chalandri, and the monastery&#8217;s holdings in Gerakas were expanded. In November 1797, the monastery acquired the Alegriza estate, and in April 1800, it bought land with olive trees in Chalandri. Later, under Abbot Cyril I Degleris (1807â€“1821), the monastery acquired the Petreza estate and the large Velanidiza estate in the Mesogeia region, where a large number of olive trees were planted. One of the most important dependencies of the monastery was that of &#8220;Agia Dynami&#8221; in Athens, which had an underground crypt that was used during times of insecurity. At that time, it also served as a temporary residence for the rural and clerical visitors from Attica.</p><p>During the Greek War of Independence in 1821, the monastery played an active role, with its monks fighting and falling in battle, while the Turks caused vandalism and destroyed its library.</p><p>The monastery was renovated in 1768 and 1858. Above the entrance to the guesthouse, there is an inscription indicating that the monastery was repaired and expanded under the abbacy of Hierotheos IV Mitrofanous (1885â€“1897 and 1900â€“1903) in 1885, during the tenure of the Minister of Ecclesiastical and Public Education, Antonios Zykomalas.</p><p>From the late 18th century, especially after 1830 with the establishment of the new Greek state, the Turks of the region began selling their properties, much of which was purchased by the Monastery of Penteli. The lands owned by the monastery were leased to farmers, who were required to pay one-third of the yield to the monastery. In 1923, the state purchased lands from the monastery to distribute to farmers, who could repay in installments. By 1931, the monastery owned more than 210,000 stremmas (a Greek unit of area) in Attica. In the area of Vourva in Spata alone, it owned 35,000 stremmas.</p><p>From 1945 to 1956, the abbot of the Monastery of Penteli was the Pontian priest, Father Iakovos Makrygiannis, later Metropolitan of Elassona.</p><p>In 2013, the Ministry of Culture began restoration work on the monastery&#8217;s buildings and the creation of an exhibition center. Today, the monastery has transformed its old old-age home, which was shaped like a church, into a museum to display its relics. It also has a library, and on the eastern side, the Orthodox Center of the Church of Greece has been operating since 1969.</p><p>The current abbot is the titular Metropolitan of Thermopylae, Ioannis Sakellariou. As of now, the monastery&#8217;s monastic registry lists 58 monks, one novice, and 17 monks live there.</p><p>The monastery celebrates the Feast of the Dormition of the Theotokos on August 15 and the Feast of Saint Timothy, its founder, on August 16, as well as the Monday after Pentecost.</p><p>The monastery&#8217;s Katholikon is a cross-in-square church with a dome. Over time, it was expanded into a three-apsed shape, following the architectural style of Mount Athos. The church was renovated in 1768 and 1858, and extensive alterations were made in 1953. The frescoes of the church are believed to have been created by the iconographer Dimitrios Kakkavas (1600-1635), while the Pantokrator in the dome is a later work from around 1750. The icons of the altar and the iconostasis were painted by Fotis Kontoglou, and the icons of the narthex were painted by Rallis Kopsidis (1971â€“1973). The frescoes of the church were cleaned and restored in 1971 and again in 2015.</p>								</div>
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															<img loading="lazy" decoding="async" width="1280" height="960" src="https://roadtriptravel.gr/wp-content/uploads/2024/03/moni-pentelis.jpg" class="attachment-1536x1536 size-1536x1536 wp-image-20179" alt="" srcset="https://roadtriptravel.gr/wp-content/uploads/2024/03/moni-pentelis.jpg 1280w, https://roadtriptravel.gr/wp-content/uploads/2024/03/moni-pentelis-360x270.jpg 360w, https://roadtriptravel.gr/wp-content/uploads/2024/03/moni-pentelis-600x450.jpg 600w, https://roadtriptravel.gr/wp-content/uploads/2024/03/moni-pentelis-300x225.jpg 300w, https://roadtriptravel.gr/wp-content/uploads/2024/03/moni-pentelis-1024x768.jpg 1024w, https://roadtriptravel.gr/wp-content/uploads/2024/03/moni-pentelis-768x576.jpg 768w, https://roadtriptravel.gr/wp-content/uploads/2024/03/moni-pentelis-800x600.jpg 800w" sizes="(max-width: 1280px) 100vw, 1280px" />															</div>
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		<title>Temple of Athena Nike</title>
		<link>https://roadtriptravel.gr/naos-athinas/</link>
		
		<dc:creator><![CDATA[360dev]]></dc:creator>
		<pubDate>Wed, 20 Mar 2024 11:53:10 +0000</pubDate>
				<category><![CDATA[??????????]]></category>
		<category><![CDATA[Attica]]></category>
		<guid isPermaLink="false">https://roadtriptravel.gr/?p=19299</guid>

					<description><![CDATA[<p>Half-day excursions The Temple of Athena Nike is located on the southwestern side of the Sacred Rock of the Acropolis, at the spot where the Mycenaean-era tower, which protected the entrance to the Acropolis, once stood. The classical temple was built between 426-421 BC, based on designs by the architect Kallikrates. It is the successor&#8230;</p>
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									<p>The Temple of Athena Nike is located on the southwestern side of the Sacred Rock of the Acropolis, at the spot where the Mycenaean-era tower, which protected the entrance to the Acropolis, once stood. The classical temple was built between 426-421 BC, based on designs by the architect Kallikrates. It is the successor of earlier temples also dedicated to Athena Nike. The first temple, which dates back to the mid-6th century BC, was wooden and was destroyed by the Persians in 480 BC.</p><p>During the same period, the &#8220;eschara,&#8221; a kind of altar, was built, possibly serving as the base for the ancient wooden statue of the goddess. In the era of Kimon, around 468 BC, a new small temple made of porous stone was constructed, incorporating the base of the statue, along with a new altar outside the small temple. The foundations of earlier altars and temples have been preserved beneath the floor of the classical period temple within the tower. The traveler Pausanias (1.22.4) refers to the temple as the Temple of Wingless Victory, and he mentions the tradition that the goddess was depicted without wings to remain forever in Athens.</p><p>In addition to the worship of Athena, the area also had older religious practices. Already in the Mycenaean era, there was a small double-apse sanctuary on the western side of the tower, and before the classical period, the eastern part contained sanctuaries of the Charites and Hecate Epipyrgidia.</p><p>The construction of the classical Temple of Athena Nike was part of the large building program on the Acropolis during the era of Pericles. Significant information about its construction comes from inscriptions, mainly decrees by the Athenian people, which refer to the project.</p><p>The temple that we see today was built on top of the tower, which was appropriately modified for this purpose. The old Mycenaean tower was faced with carefully constructed porous stone walls built in the isodomic system, which made its shape larger and more regular, culminating in a rich superstructure.</p><p>The temple is small, in the Ionic style, amphiprostyle, with a series of four monolithic columns on each narrow side. It has no pronaos, only a small cella, whose side walls terminate in pilasters with two antae between them. The spaces between the pilasters and the antae were closed with railings, as were the spaces between the pilasters and the corner columns, giving the impression of a small pronaos. Above the architrave, the temple has a frieze designed by the sculptor Agoracritos.</p><p>On three sides of the frieze, scenes from battles between Greeks and Persians, as well as Greek hoplites fighting other hoplites, are depicted, while the eastern side shows the Olympian gods observing these battles. Very few fragments of the pediments have been preserved. It is assumed that the western pediment depicted the Gigantomachy and the eastern one the Amazonomachy. The altar was located to the east, outside the temple. In 409 BC, a marble parapet, approximately 1 meter in height, was constructed at the edge of the tower to protect the worshippers. This parapet consists of relief plates depicting winged Victories sacrificing or leading bulls to sacrifice, decorating trophies, and the goddess Athena seated, watching these scenes. Several of these parapet reliefs, as well as parts of the frieze, can be admired in the Acropolis Museum, while other parts of the frieze are housed in the British Museum.</p><p>The temple was preserved for many centuries and was converted into a church in the 5th century AD. During the Ottoman period, its interior was used as a gunpowder storehouse, but in 1686 AD, the Ottomans, in order to counter the Venetians under Morosini, demolished it to use its building material for the construction of the fortification wall in front of the Propylaea, where they also built a high tower known as the &#8220;Koula.&#8221;</p>								</div>
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				</div><p>The post <a href="https://roadtriptravel.gr/naos-athinas/">Temple of Athena Nike</a> appeared first on <a href="https://roadtriptravel.gr">Road Trip Travel</a>.</p>
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		<title>Herodeion (Odeon of Herodes Atticus)</title>
		<link>https://roadtriptravel.gr/irodio/</link>
		
		<dc:creator><![CDATA[360dev]]></dc:creator>
		<pubDate>Wed, 20 Mar 2024 11:19:02 +0000</pubDate>
				<category><![CDATA[??????????]]></category>
		<category><![CDATA[Attica]]></category>
		<guid isPermaLink="false">https://roadtriptravel.gr/?p=19285</guid>

					<description><![CDATA[<p>Half-day excursions The Odeon of Herodes Atticus, commonly known as the Herodeion, is an ancient Roman-era odeon located on the southwestern slope of the Acropolis of Athens, at the western edge of the South Slope. It was the third to be built in ancient Athens, after Pericles&#8217; Odeon, also on the South Slope (5th century&#8230;</p>
<p>The post <a href="https://roadtriptravel.gr/irodio/">Herodeion (Odeon of Herodes Atticus)</a> appeared first on <a href="https://roadtriptravel.gr">Road Trip Travel</a>.</p>
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									<p>The Odeon of Herodes Atticus, commonly known as the Herodeion, is an ancient Roman-era odeon located on the southwestern slope of the Acropolis of Athens, at the western edge of the South Slope. It was the third to be built in ancient Athens, after Pericles&#8217; Odeon, also on the South Slope (5th century BC), and Agrippa&#8217;s Odeon in the Ancient Agora (15 BC). It was constructed during the 2nd century AD, funded by Tiberius Claudius Atticus Herodes, a prominent member of an influential Athenian family and a benefactor, in memory of his wife Regilla, who passed away in 160 AD. The exact construction date is uncertain, but it is certain it was built between the death of Regilla and the 174 AD visit of the traveler Pausanias, who mentions the monument with great admiration.</p><p>The odeon, primarily used for musical events, was roofed and had a seating capacity of 5,000 people. It was a robust structure, but its walls were not solid. Porous stone blocks formed the two outer faces of the walls, while the interior was filled with uncut stones. The cavea (seating area) was semicircular, with a diameter of 76 meters, and was carved into the rock. It was divided into two sections by a central aisle, 1.20 meters wide, with 32 rows of marble seats. The upper level of the cavea was likely shaped into a surrounding colonnade. The orchestra, with a diameter of 19 meters, was also semicircular and paved with marble slabs. The stage was elevated, and its wall, preserved to a height of 28 meters, was divided into three levels. The upper part featured arched openings, while the lower part had three-columned projections and niches for statues, according to the Roman theater tradition. There were stairways on both sides of the stage leading to the upper seating area. In front of the external stage wall, there was a colonnade, the <em>paraskenia</em>. Mosaics with geometric and linear patterns covered the entrances of the staircases and the <em>paraskenia</em>. The construction of the monument was particularly costly, which is highlighted by ancient accounts mentioning the use of cedar wood for the roof. The roof of the cavea, with a radius of 38 meters, did not have internal supports, as no traces of them remain, which remains an architectural achievement even by today&#8217;s standards. On its eastern side, the odeon was connected to the Stoa of Eumenes, a covered building constructed about three centuries earlier by Eumenes II, the King of Pergamon (197-159 BC).</p><p>The odeon was destroyed in 267 AD by the Herulian invasion, which burned and destroyed many buildings in ancient Athens, and was never rebuilt, unlike other structures that suffered damage. In later years, the odeon was incorporated into the city&#8217;s fortifications. Its southern wall was integrated into the late Roman city wall, rebuilt in the 3rd century AD, and in the 13th century, the tall stage wall was incorporated into the wall surrounding the Acropolis hill&#8217;s base, known as the Rizokastro. In the 14th century, the earth covering the lower part of its southern wall was so thick that the entrances were no longer visible, leading the Italian traveler Niccolo da Martini to describe it as a bridge. During the 1826 siege of the Acropolis by the Turks, French philhellene general Fabvier and his soldiers used the Herodeion as an entry point to supply the besieged Greeks with food and gunpowder. Excavations in the monument area took place in the mid-19th century by the Archaeological Society and archaeologist C. Pittakis, removing large amounts of soil.</p><p>After the Greek War of Independence, the newly established Greek state sought to emphasize its identity by promoting continuity with ancient Greece, leading to calls for the cultural and economic exploitation of ancient theaters. Already in 1867, the recently excavated Herodeion hosted the first performance of ancient drama. In 1898, 1900, and 1922, various conservation and restoration works were carried out. Meanwhile, the historical space began to be regularly used for performances and public events. In September 1920, the Victory Celebrations of the Greek Army in Asia Minor were held there: in the presence of Venizelos and many officials, the <em>Symphony of Glory</em> by Kalomoiris was performed. The establishment of the Professional Theater School in 1924 led to the permanent establishment of the Herodeion as a venue for ancient drama performances, and the Delphic Festivals of the Sikellian couple (1927, 1930) gave new momentum to this cause. With the establishment of the National Theater in 1932, research on the interpretation of ancient drama was systematized. In 1936, the Metaxas Government established annual &#8220;festival periods&#8221; with performances of ancient dramas in outdoor theaters, and the National Theater constructed wooden seats in the lower section of the Herodeion. The strong public opposition by architect and urban planner Konstantinos Doxiadis to proposals for the full &#8220;marble restoration&#8221; of the ancient odeon only temporarily delayed the intervention. During the German Occupation, the Herodeion hosted concerts by the State Orchestra of Athens as well as performances by the newly formed National Opera, with young Maria Callas, then still Maria Kalogeropoulou, performing in <em>Fidelio</em> by Beethoven and <em>The Master Builder</em> by Kalomoiris.</p><p>In 1947, while the final battles of the Civil War were still being fought, the Archaeological Council decided to restore the floor of the odeon in marble and fully restore its interior and exterior to better accommodate modern performances. The National Theater undertook the funding, with the National Opera and the State Orchestra of Athens participating. The general technical and scientific oversight of the work was conducted by Professor Anastasios Orlandos. In 1952, the Archaeological Society took over the financing of the ongoing work. At the same time, the public road leading from the Makrygianni area to the square in front of the Herodeion was shifted further south, and the entertainment centers located there were removed. The existing access was redesigned as part of the overall landscape design around the Acropolis, meticulously planned by architect Dimitris Pikionis. This consisted of a wide monumental marble staircase, with irregular landings, leading from the current level of Dionysiou Areopagitou Street to the plateau in front of the entrances to the Odeon. On either side, recesses or extensions were created, producing a &#8220;picturesque&#8221; dialogue connecting the archaeological site, while the surrounding excavated area was planted with Mediterranean shrubs and trees.</p><p>The decision of Prime Minister Konstantinos Karamanlis to establish the Athens Festival found the Herodeion, built by Herodes Atticus in memory of his beloved wife, almost ready to welcome the officials. After a long prehistory of ideological obsessions with Greek identity, it finally found institutional expression, and the restored Herodeion provided the perfect venue. The opening of the festival took place in August 1955, though the restoration of the upper seating area had not yet been completed, and the surrounding landscape was still bare, dotted with newly planted shrubs. After the marble restoration was completed, with the exception of the areas above the corridors that had been damaged, the cavea of the Herodeion could accommodate 4,680 spectators, 120 fewer than in antiquity. Much later, the plaza in front of the entrances to the Odeon was paved.</p><p>Over the 52 years of the Athens Festival, the Herodeion stage hosted nearly all the major names, both international and domestic, in serious music, dance, and theater during the postwar years. During the first three decades of its operation, the festival provided the Athenian audience with an invaluable seasonal connection to Western artistic trends and offered Greek creators a prestigious platform.</p>								</div>
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															<img loading="lazy" decoding="async" width="2048" height="1363" src="https://roadtriptravel.gr/wp-content/uploads/2024/03/herodium-2048x1363.jpg" class="attachment-2048x2048 size-2048x2048 wp-image-20158" alt="" srcset="https://roadtriptravel.gr/wp-content/uploads/2024/03/herodium-2048x1363.jpg 2048w, https://roadtriptravel.gr/wp-content/uploads/2024/03/herodium-360x240.jpg 360w, https://roadtriptravel.gr/wp-content/uploads/2024/03/herodium-600x399.jpg 600w, https://roadtriptravel.gr/wp-content/uploads/2024/03/herodium-300x200.jpg 300w, https://roadtriptravel.gr/wp-content/uploads/2024/03/herodium-1024x682.jpg 1024w, https://roadtriptravel.gr/wp-content/uploads/2024/03/herodium-768x511.jpg 768w, https://roadtriptravel.gr/wp-content/uploads/2024/03/herodium-1536x1022.jpg 1536w, https://roadtriptravel.gr/wp-content/uploads/2024/03/herodium-800x533.jpg 800w" sizes="(max-width: 2048px) 100vw, 2048px" />															</div>
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				</div><p>The post <a href="https://roadtriptravel.gr/irodio/">Herodeion (Odeon of Herodes Atticus)</a> appeared first on <a href="https://roadtriptravel.gr">Road Trip Travel</a>.</p>
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		<title>The Tower of the Winds</title>
		<link>https://roadtriptravel.gr/pirgos-aeridon/</link>
		
		<dc:creator><![CDATA[360dev]]></dc:creator>
		<pubDate>Wed, 20 Mar 2024 10:02:54 +0000</pubDate>
				<category><![CDATA[??????????]]></category>
		<category><![CDATA[Attica]]></category>
		<guid isPermaLink="false">https://roadtriptravel.gr/?p=19220</guid>

					<description><![CDATA[<p>Half-day excursions The Tower of the Winds, also known as the Horologion of Andronikos Kyrrhestes, is one of the most charming archaeological monuments of Athens. It is located in the Roman Agora, in the Plaka area, and is considered the first meteorological station in the world! Built entirely of Pentelic marble in the first half&#8230;</p>
<p>The post <a href="https://roadtriptravel.gr/pirgos-aeridon/">The Tower of the Winds</a> appeared first on <a href="https://roadtriptravel.gr">Road Trip Travel</a>.</p>
]]></description>
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									<p>The <strong>Tower of the Winds</strong>, also known as the <strong>Horologion of Andronikos Kyrrhestes</strong>, is one of the most charming archaeological monuments of Athens. It is located in the Roman Agora, in the Plaka area, and is considered the first meteorological station in the world! Built entirely of Pentelic marble in the first half of the 1st century BC by the Greek astronomer Andronikos of Kyrrhos (or Cyrrhus) from Macedonia (or Macedonian Syria), it has an octagonal shape.</p><p>Its total height reaches 12 meters, with each side measuring 3.20 meters. The conical roof was adorned with a bronze Triton, which acted as a weather vane. However, the most impressive feature of the monument is undoubtedly the eight reliefs of winds on the metopes of the sides, each representing a different winged wind, bearing a unique symbol, and accompanied by their names. These are Boreas (North), Caecias (Northeast), Apeliotes (East), Eurus (Southeast), Notos (South), Lips (Southwest), Zephyrus (West), and Skiron (Northwest).</p><p>The monument fascinated travelers and historians for both its construction and its scientific use. It was called the <strong>Tower of the Winds</strong> or the <strong>Temple of Aeolus</strong>, and has been described in great detail. It is classified in two architectural styles: the exterior, with columns at the two propylons, follows the Corinthian order, while the interior is in the Doric style.</p><p>Apart from being a meteorological station, it also served as a horological station, as it had external sundials, and on days without sunlight, a water clock functioned inside. It is believed that the builder of the monument combined the inventions of previous clockmakers, such as Archimedes, Ctesibius, and Philo.</p><p>During the early Christian period, it was converted into a church or a baptistery for a nearby church, and a Christian cemetery existed outside the northeast entrance. In the 15th century, the monument was referred to as the Temple of Aeolus and was described as a church by an anonymous traveler. In the 18th century, it was used as a tekke (Muslim monastery) by the Dervishes, who, according to one version, saved it from being dismantled and transported to Great Britain by Lord Elgin.</p><p>It was fully excavated in the 19th century by the Greek Archaeological Society, and since then, the area surrounding it, known as &#8220;AÄ“rides,&#8221; has developed into one of the most picturesque spots in the historical center of Athens.</p>								</div>
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															<img loading="lazy" decoding="async" width="2048" height="1542" src="https://roadtriptravel.gr/wp-content/uploads/2024/03/caste-of-wind-2048x1542.jpg" class="attachment-2048x2048 size-2048x2048 wp-image-20146" alt="" srcset="https://roadtriptravel.gr/wp-content/uploads/2024/03/caste-of-wind-2048x1542.jpg 2048w, https://roadtriptravel.gr/wp-content/uploads/2024/03/caste-of-wind-360x271.jpg 360w, https://roadtriptravel.gr/wp-content/uploads/2024/03/caste-of-wind-600x452.jpg 600w, https://roadtriptravel.gr/wp-content/uploads/2024/03/caste-of-wind-300x226.jpg 300w, https://roadtriptravel.gr/wp-content/uploads/2024/03/caste-of-wind-1024x771.jpg 1024w, https://roadtriptravel.gr/wp-content/uploads/2024/03/caste-of-wind-768x578.jpg 768w, https://roadtriptravel.gr/wp-content/uploads/2024/03/caste-of-wind-1536x1157.jpg 1536w, https://roadtriptravel.gr/wp-content/uploads/2024/03/caste-of-wind-800x602.jpg 800w" sizes="(max-width: 2048px) 100vw, 2048px" />															</div>
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				</div><p>The post <a href="https://roadtriptravel.gr/pirgos-aeridon/">The Tower of the Winds</a> appeared first on <a href="https://roadtriptravel.gr">Road Trip Travel</a>.</p>
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		<title>Propylaea</title>
		<link>https://roadtriptravel.gr/propilaia/</link>
		
		<dc:creator><![CDATA[360dev]]></dc:creator>
		<pubDate>Wed, 20 Mar 2024 09:59:52 +0000</pubDate>
				<category><![CDATA[??????????]]></category>
		<category><![CDATA[Attica]]></category>
		<guid isPermaLink="false">https://roadtriptravel.gr/?p=19209</guid>

					<description><![CDATA[<p>Half-day excursions The Propylaea of the Acropolis of Athens were built on the western side of the rock, in the place where the gate of the fortification of the Mycenaean acropolis was located. Around the middle of the 6th century BC, during the time of the Peisistratids, and while the area had already been transformed&#8230;</p>
<p>The post <a href="https://roadtriptravel.gr/propilaia/">Propylaea</a> appeared first on <a href="https://roadtriptravel.gr">Road Trip Travel</a>.</p>
]]></description>
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									<p>The <strong>Propylaea of the Acropolis of Athens</strong> were built on the western side of the rock, in the place where the gate of the fortification of the Mycenaean acropolis was located. Around the middle of the 6th century BC, during the time of the Peisistratids, and while the area had already been transformed into a sanctuary dedicated to the goddess Athena, the first Propylaea was constructed. A new Propylaea was built between 510â€“480 BC but was destroyed by the Persians in 480 BC.</p><p>After the Persian destruction, it was repaired or rebuilt during the fortification program of the Acropolis, under Themistocles and Cimon. The monumental Propylaea that visitors see today are part of the grand architectural program carried out on the Acropolis by Pericles. They were built between 437â€“432 BC, after the completion of the Parthenon, following the plans of the architect Mnesicles. The initial design of the building was innovative both architecturally and artistically, but it was never completed in its entirety.</p><p>The structure is primarily made of Pentelic marble and is divided into three sections. The central rectangular part is the main Propylaea. On both the eastern and western facades, there are two Doric colonnades, with a transverse wall in between, featuring five doors. The passage to the Acropolis was through the central door, flanked by three Ionic columns on each side, between the western colonnade and the transverse wall. The central structure follows the slope of the ground, and the eastern colonnade is at a higher elevation than the western one, with the same slope applied to the pedimental roof. The two side structures were lower. The issue of the terrain&#8217;s slope was also addressed inside the building, with steps placed at the front and transverse wall.</p><p>The <strong>northern wing</strong> of the Propylaea consists of a room, known from the travel account of Pausanias as the &#8220;Pinakotheke&#8221; (1.22.6), because it was decorated with paintings, including works by the painters Polygnotus and Aglaophon. In front of it is a small Doric colonnade with three columns, and its entrance was through a door flanked by two windows. According to some scholars, this room was a space for rest or dining for visitors to the Acropolis, and it is speculated that there were couches inside.</p><p>The <strong>southern wing</strong> of the Propylaea was initially designed to be similar to the northern one; however, the existence of the earlier Temple of Athena Nike forced the architect to alter the design. Therefore, only a single colonnade was built, corresponding to the northern one, consisting of three columns. From its western side, it was possible to access the Temple of Athena Nike. The original plan of the building seems to have included side rooms on the eastern side, but these were never constructed.</p><p>The form of the Propylaea remained unchanged until the early Christian period (4thâ€“7th century AD), when the southern wing was converted into a church. In the 10th century, the central part also functioned as a church dedicated to the Archangels. During the <strong>Frankish occupation</strong> (13thâ€“14th century), the Propylaea served as the residence of the Frankish ruler. At the same time, to strengthen the Acropolis&#8217; fortifications, a tower was built on the right wing of the building, known as the &#8220;Koulas,&#8221; which no longer exists today.</p><p>During the <strong>Ottoman period</strong> (1458â€“1830), the Propylaea became the seat of the Turkish commander. The central building was used as a gunpowder magazine, which led to the first major destruction of the monument when it exploded in 1640. After Greece&#8217;s liberation from the Ottomans, medieval and Ottoman additions were demolished, and excavations were conducted in the area of the Propylaea.</p>								</div>
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		<title>Parthenon</title>
		<link>https://roadtriptravel.gr/parthenonas/</link>
		
		<dc:creator><![CDATA[360dev]]></dc:creator>
		<pubDate>Wed, 20 Mar 2024 09:56:56 +0000</pubDate>
				<category><![CDATA[??????????]]></category>
		<category><![CDATA[Attica]]></category>
		<guid isPermaLink="false">https://roadtriptravel.gr/?p=19204</guid>

					<description><![CDATA[<p>Half-day excursions The temple that the Athenians dedicated to their city&#8217;s protector, Athena Parthenos, is the most magnificent creation of Athenian democracy during its golden age and the most perfect in terms of composition and execution among the buildings of the Sacred Rock. It was constructed between 447–438 BC as part of the larger building&#8230;</p>
<p>The post <a href="https://roadtriptravel.gr/parthenonas/">Parthenon</a> appeared first on <a href="https://roadtriptravel.gr">Road Trip Travel</a>.</p>
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				Half-day excursions				</h3>
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									<p>The temple that the Athenians dedicated to their city&#8217;s protector, <strong>Athena Parthenos</strong>, is the most magnificent creation of Athenian democracy during its golden age and the most perfect in terms of composition and execution among the buildings of the Sacred Rock. It was constructed between 447â€“438 BC as part of the larger building program carried out on the Acropolis under the initiative of Pericles, and it was built on the site of earlier temples dedicated to Athena. The <strong>Periclean Parthenon</strong> (Parthenon III) succeeded a previous temple, the marble <strong>Pre-Parthenon</strong> (Parthenon II), which began construction after the victory at Marathon around 490 BC but was never completed, as it was destroyed by the Persians in 480 BC. This, in turn, had been built on the site of an even earlier temple, the <strong>original Parthenon</strong> (Parthenon I), which was built around 570 BC.</p><p>Today, visitors can admire the marble Parthenon of the Periclean period, designed by <strong>Ictinos</strong>, with <strong>Callicrates</strong> as his associate. The responsibility for the sculptural decoration and the gold and ivory statue of Athena, which stood inside the temple, as well as the entire architectural program of the temple, was entrusted to the famous sculptor <strong>Phidias</strong>.</p><p>The temple is a <strong>double peripteral Doric temple</strong>, presenting many original and unique elements in its architectural design. It features a main temple, a rear chamber on the west side, porches on the west and east sides, and wings with 8 columns on the short side and 17 columns on the long side. The diameter of the columns was the same as that of the columns of the earlier Parthenon II, allowing for the reuse of the marbles prepared for it. To construct the temple, the narrow side had to be widened, but no larger columns were required. The interior expresses an innovative concept, combining older and new elements: in the <strong>naos</strong>, where one entered from the east, there was a double Doric colonnade in the shape of a &#8220;P&#8221;, and at the back of the temple was the <strong>gold and ivory statue of Athena Parthenos</strong>, depicted fully armed, holding Nike in her right hand to present to the Athenians. In the western chamber, where the city&#8217;s treasure was kept, four Ionic columns were placed. The roof of the temple was a <strong>gabled roof</strong>, covered with marble tiles. At the ends of the long sides, there were marble <strong>acroteria</strong> in the shape of a flower, and in the four corners, marble <strong>pseudohydrorohas</strong> in the shape of lion heads. The <strong>pediments</strong> of the temple were adorned with sculptural compositions inspired by the life of the goddess Athena. In the eastern pediment, the birth of the goddess from the head of her father, <strong>Zeus</strong>, is depicted, with the presence of all the gods of Olympus. In the western pediment, the contest between Athena and Poseidon for the guardianship of the city of Athens is shown, with gods, mythological kings, and heroes of Attica present. The 92 <strong>metopes</strong>, alternating with triglyphs, are positioned above the architrave of the outer colonnade of the temple and below the cornice. They are decorated with <strong>relief scenes</strong>, the oldest among the architectural sculptures of the Parthenon. The themes they depict come from Greek mythology and represent mythical battles: on the eastern side, the <strong>Gigantomachy</strong> is shown; on the northern side, the <strong>Trojan War</strong>; on the western side, the <strong>Amazonomachy</strong>; and on the southern side, the <strong>Centauromachy</strong>. The <strong>frieze</strong>, another Ionic element combined with the Doric style, runs around the upper part of the naos and porches of the temple, and its decoration portrays the magnificent <strong>Panathenaic procession</strong>, the most important festival of the Athenians in honor of the goddess Athena.</p><p>The Parthenon retained this form until the 5th century AD, when it was converted into a temple dedicated first to <strong>Holy Wisdom</strong> (Hagia Sophia) and later to the <strong>Virgin Mary</strong>. During the <strong>Ottoman period</strong>, it was turned into a mosque. In 1687, during the siege of the Acropolis by <strong>Morosini</strong>, the Parthenon was blown up by a Venetian bomb, and much of it collapsed. It also suffered significant damage in the early 19th century, with the looting and removal of its sculptural decoration by <strong>Lord Elgin</strong>, resulting in a large portion of the sculptures being taken to the <strong>British Museum</strong>.</p>								</div>
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